The Mississippi Sheiks recorded a number of songs in quite a few configurations. The songs represented on these pages are drawn from the four volumes of their music on the Document label. You can also check out my page detailing additional recordings made by many of the same musicians.
The tables below include the following fields:
- Track - The track number.
- Title - Song title.
- Fiddle Key - The fiddle key or position the song is played out of, relative to standard tuning for the instrument (low to high: G D A E) - not to be confused with the actual pitch of the recording. Other tunings will be noted as appropriate.
- Guitar Key - The guitar key or position the song is played out of, relative to standard tuning for the instrument (low to high: E A D G B E) - not to be confused with the actual pitch of the recording. Other tunings will be noted as appropriate.
- 2nd Guitar Key - The guitar key or position the song is played out of where there is an additional guitarist - not to be confused with the actual pitch of the recording.
- Actual Pitch - The actual pitch of the recording. For example, if the fiddle and guitar are both playing in B-flat position and the actual pitch is A-flat, the instruments are tuned down one whole step from concert pitch. Where the actual pitch is slightly flat from the closest half-tone, I’ll note that with a (f). Likewise, if the instruments are tuned slightly sharp to the nearest half-tone, that will be noted with a (s).
Based purely on the songs in the four Document volumes, the Sheiks appear to have favored standard tuning for both fiddle and guitar (relative to actual pitch) and the following keys: G, B-flat, E-flat, D, C and F. In the output represented below, there does not appear to be a single song played out of A position on the fiddle. This is admittedly pretty nerdy, but the table below should illustrate the point.
| Key | Count |
| G | 28 |
| B-flat | 21 |
| E-flat | 13 |
| D | 10 |
| C | 7 |
| F | 5 |
| E | 1 |
| F/B-flat/E-flat | 1 |
I has a railroad [apartment] and the [] begin to cry
The empty brackets are an indication that I can’t really make out at all what’s being sung there. I find that many of these gray areas get clearer over time, but feel free to comment on the transcriptions if you have alternative suggestions. Overall, the songs I had the hardest time with are the last few recordings where Sam Chatmon is the singer - the combination of his singing style and the generally poor condition of those records make transcription very challenging. After being immersed in their music for the time that it took me to put this together, I find myself even more fascinated by their sound and completely in awe of their talent.
About the lyric transcriptions: a while back, I restricted access to the transcriptions to deter content skimming bots from accessing the site & reposting the content on some crummy, regurgitated lyric mega-site. If you’re not a bot and dig the Sheiks and would like to check out the lyrics, I can share the password with you - just send me an email. Oh, and please don’t share the password with anyone else - it’s just not cool.
Volume 1
| Track | Title | Fiddle Key | Guitar Key | 2nd Guitar | Actual Pitch |
| 1 | Driving That Thing | B-flat | B-flat | A-flat | |
| 2 | Alberta Blues | B-flat | B-flat | A-flat (s) | |
| 3 | Winter Time Blues | G | G | F | |
| 4 | The Sheik Waltz | F/B-flat/E-flat | F/B-flat/E-flat | E-flat | |
| 5 | The Jazz Fiddler | B-flat | B-flat | A-flat | |
| 6 | Sitting On Top Of The World | G | G | G-flat | |
| 7 | Stop And Listen Blues | D | Dropped D | C | |
| 8 | Lonely One In This Town | B-flat | B-flat | G | |
| 9 | We Both Are Feeling Good Right Now | B-flat | B-flat | B-flat | B-flat |
| 10 | Cracking Them Things | B-flat | B-flat | B-flat | B-flat |
| 11 | Grinding Old Fool | G | G | G | G (f) |
| 12 | Jake Leg Blues | B-flat | B-flat | B-flat | B-flat (f) |
| 13 | Back To Mississippi | B-flat | B-flat | D figures up the neck | B-flat (f) |
| 14 | West Jackson Blues | B-flat | B-flat | D figures up the neck | B-flat (f) |
| 15 | Jail Bird Love Song | F | F | D figures up the neck | F |
| 16 | Yodeling Fiddling Blues | F | F | D figures up the neck | F |
| 17 | Baby Keeps Stealin’ Lovin’ On Me | B-flat | B-flat | D figures up the neck | B-flat |
| 18 | River Bottom Blues | B-flat | B-flat | D figures up the neck | B-flat |
| 19 | Bootlegger’s Blues | G | G | D figures up the neck | G (f) |
| 20 | Loose Like That | B-flat | B-flat | D figures up the neck | B |
Volume 2
| Track | Title | Fiddle Key | Guitar Key | 2nd Guitar | Actual Pitch |
| 1 | Sitting On Top Of The World No. 2 | G | G | G (f) | |
| 2 | Your Good Man Caught The Train And Gone | G | G | G (f) | |
| 3 | Times Done Got Hard | F | F | F | |
| 4 | Unhappy Blues | F | F | F | |
| 5 | Still I’m Travelling On | E-flat | E-flat | E-flat (f) | |
| 6 | Honey Babe Let The Deal Go Down | B-flat | B-flat | B-flat (f) | |
| 7 | She Ain’t No Good | E-flat | E-flat | E-flat (f) | |
| 8 | Ramrod Blues | G | G | G-flat (s) | |
| 9 | Stop And Listen Blues No. 2 | D | Dropped D | D-flat (s) | |
| 10 | Church Bell Blues | D | Dropped D | D-flat | |
| 11 | Please Don’t Wake It Up | E-flat | E-flat | E-flat | |
| 12 | Please Baby | E-flat | E-flat | E-flat | |
| 13 | Things About Comin’ My Way | G | G | G | |
| 14 | The World Is Going Wrong | G | G (poss. G6) | G | |
| 15 | She’s A Bad Girl | C | C | C | |
| 16 | Tell Me What The Cats Fight About | C | C | C | |
| 17 | Kind Treatment | C | C | C | |
| 18 | Livin’ In A Strain | C | C | C (s) | |
| 19 | Lazy, Lazy River | E-flat | E-flat | E-flat | |
| 20 | Too Long | E-flat | E-flat | D |
Volume 3
| Track | Title | Fiddle Key | Guitar Key | 2nd Guitar | Actual Pitch |
| 1 | Shake Hands And Tell Me Goodbye | E-flat | E-flat | E-flat | |
| 2 | Bed Spring Poker | E-flat | E-flat | E-flat | |
| 3 | When You’re Sick With The Blues | E-flat | E-flat | E-flat | |
| 4 | I’ve Got Blood in My Eyes for You | F | F | F | |
| 5 | Shooting High Dice | G | G | G-flat | |
| 6 | Isn’t A Pain To Me | B-flat | B-flat | A | |
| 7 | She’s Crazy About Her Lovin’ | D | Dropped D | D-flat | |
| 8 | Tell Me To Do Right | B-flat | B-flat | A | |
| 9 | The New Stop And Listen Blues | D | Dropped D | D-flat | |
| 10 | Go ‘Way Woman | G | G | G-flat | |
| 11 | New Shake That Thing | B-flat | B-flat | A | |
| 12 | The New Sittin’ On Top Of The World | G | G | G-flat | |
| 13 | He Calls That Religion | B-flat | B-flat | A-flat | |
| 14 | Don’t Wake It Up | E-flat | E-flat | E-flat (f) | |
| 15 | Please Baby | E-flat | E-flat | D (s) | |
| 16 | I’ll Be Gone, Long Gone | C | C | C | |
| 17 | Kitty Cat Blues | D | Dropped D | Dropped D | D-flat |
| 18 | Show Me What You Got | E-flat | E-flat | D figures up the neck | D |
| 19 | Hitting The Numbers | G | G | A-flat | |
| 20 | It’s Done Got Wet | G | G | A-flat | |
| 21 | Pencil Won’t Write No More | G | G | A-flat | |
| 22 | I Am The Devil | G | G | A-flat | |
| 23 | Baby, Please Make A Change | G | G | A-flat |
Volume 4
| Track | Title | Fiddle Key | Guitar Key | 2nd Guitar | Actual Pitch |
| 1 | She’s Got Something Crazy | G | G | G (s) | |
| 2 | You’ll Work Down To Me Someday | G | G | G (s) | |
| 3 | Somebody’s Got To Help Me | D | Dropped D | E-flat | |
| 4 | Good Morning Blues | D | Dropped D | E-flat | |
| 5 | Blues On My Mind | G | G | A-flat | |
| 6 | Lonesome Grave Took My Baby | D | Dropped D | E-flat (f) | |
| 7 | Pop Skull Blues | D | Dropped D | E-flat (f) | |
| 8 | Sweet Maggie | G | G | D figures up the neck | A-flat |
| 9 | Sales Tax | G | G | D figures up the neck | A-flat (f) |
| 10 | It’s Backfiring Now | B-flat | B-flat | B-flat | |
| 11 | Lean To One Woman | B-flat | B-flat | B-flat | |
| 12 | I Can’t Go Wrong | G | G | G | |
| 13 | Dead Wagon Blues | E | E | E | |
| 14 | She’s Going To Her Lonesome Grave | E-flat | E-flat | E-flat | |
| 15 | Fingering With Your Fingers | B-flat | B-flat | B-flat | |
| 16 | If You Don’t Want Me Please Don’t Dog Me ‘Round | B-flat | B-flat | B-flat | |
| 17 | Wake Me Just Before Day | G | G | A-flat | |
| 18 | Old Grey Mule, You Ain’t What You Used To Be | G | G | G | |
| 19 | What’s The Name Of That Thing? | C | C | C | |
| 20 | Stir It Now | C | C | C | |
| 21 | Jumping Out Blues | G | G | G | |
| 22 | Radio Blues | G | G6 | G-flat | |
| 23 | Please Don’t Give My Love Away | G | G6 | A-flat |

26 Comments »
04.19.06 @ 7:23 pm
Will any of these be available for download? Hats off to a good job. Well done!
Robert Brooks
04.19.06 @ 10:02 pm
Thanks, Robert. I hadn’t planned on making them available in any regular way. If there was some interest in trying to work out some of the songs that have major gray areas, I could post those. There are a couple of recent posts that have tunes from volume 4:
If You Don’t Want Me Please Don’t Dog Me ‘Round
Dead Wagon Blues
Feel like taking a crack at one?
“Old Grey Mule, You Ain’t What You Used To Be” could use some work!
04.23.06 @ 6:05 pm
Hey Frankie. GREAT job! I love the Sheiks and have always been turned on by their songs and I particularly like their bass runs. Interesting key selections. What chord voicings do you rekon are being used when they play in Bflat and Eflat? Im a country blues and old time player and am unfamiliar with these keys. Im intrigued…mostly by BFLAT.
04.24.06 @ 8:03 am
Hi Christian - Thanks! The Sheiks definitely do have a particular backup sound. Most of it is based on the use of F and C shapes moved up the neck and no capos. The backup guitarist (whether Walter, Bo or Sam) will play B-flat at the 6th fret using an F-shape. The IV chord is played using a C-shape with the root on the 5th string at the 6th fret. Let the 3rd string ring in unison with the 4th string fretted at the 5th fret.
That last chord is also used as the I chord for the tunes in E-flat. I’m planning a page on some of these backup styles, so I’ll leave a more detailed discussion for that. One of the really neat things is the way the division of labor works out when there are two guitarists - that really nails the sound!
04.25.06 @ 11:27 pm
Interesting. Thanks a lot. Ill fool around with that for a bit.
04.26.06 @ 8:54 am
I contributed to this thread at Weenie Campbell that you might find useful. I incorrectly identified the key for Honey Babe Let The Deal Go Down, unfortunately, but it should be a useful starting point.
08.14.06 @ 8:44 pm
Right on! Glad I found you. I would love to hear anything you know about Walter Vinson’s guitar technique….
Hats off,
Hi-Tone Hokum
08.15.06 @ 8:08 am
Hi Shawn - glad you like the site. I’ve been meaning to make some time to put my thoughts about Walter Vinson down on paper. For what it’s worth, I think the backup style he used on many of the Sheiks’ recordings might have been developed in cooperation with the Chatmons - I can see Lonnie insisting on a particular backup style, the other Chatmons working it out and sharing it with Walter Vinson and the McCoys. They all seem to be able to play along the same lines, making definite identification of who’s playing on what very difficult at times.
They all navigate beautifully in flat keys, keeping things lively with bass runs - it’s rather unlike the fiddle accompaniment you’d find in an old-time, bluegrass or swing band, but seems to owe a little to each in some small way. Although to many guitar pickers it probably sounds kinda simple, it leaves a lot of room for additional accompanists, sounds great, clearly puts down a rhythmic footprint and is very easy to sing over top of. Perfect for ensemble playing.
05.16.07 @ 11:01 am
Frankie,
Glad you’re doing this, I’m a big fan of The Sheiks. I would love somebody to work out a tab of some of these songs where they worked the lead violin parts into a guitar arrangement. That could be very nice.
I tried clicking on a number of links to song lyrics, but nothing came up. I don’t know if I’m having a problem connecting, or you just haven’t gotten around to transcribing everything. I’ve done a couple myself, and could add them if you need them.
Chris
05.17.07 @ 7:49 pm
Hi Chris - the lyrics have been taken down, basically indefinitely, although they’re all done, more or less. The keys and such will stay up, though.
Frankly (har-dee-har-har!), I’ve never been very interested in “solo guitar” arrangements of the music of the Sheiks. The magic for me is in the simplicity of their ensemble sound and their commitment to just plain sounding good. It seems to me that a lot of modern players worry about “authenticity,” “complexity,” “moving the music forward” - whatever… the whole notion of just “sounding good” gets left in the dust, just like a lot of really great music from a long time ago.
I’m at sort of the opposite end in my guitar playing from my banjo playing. On banjo, I hope I never accompany another fiddle tune again… on guitar, I feel right now like I never want to play another “solo guitar” piece. I’d rather back up a fiddler or mandolin, or accompany another guitar player. The self-accompanied blues guitar player just doesn’t hold a lot of appeal for me, right now…
heh… it’s my blog, so I guess I can put up a soapbox wherever I want!
12.28.07 @ 4:01 am
Hey I know you took the lyics down but I’m really curious to find the lyrics to the Jazz Fiddler. Are you going to put them back up ever? Could you e-mail me them? (as much as you can!) Great site. Thanks in advance.
Jay
01.01.08 @ 11:58 pm
awesome work! Ive been playing with the sheiks in my room for about a year now and still stumped on the keys of over half the songs. Your site is a godsend. Were the lyrics taken down for legal smeagol reasons? I read what you wrote about solo guitar stuff, but i wonder if youve got basic chord progressions for some songs as i would love to play these songs with other folks besides the ones in my stereo.
09.19.08 @ 10:40 am
frankie, hi! i was wondering if you could help me with the lyrics to ” its backfiring now” and “blood in my eyes”. there are a few words i can’t get.. and those bass runs! phew! Ill keep plugging away. thank you, luther
09.19.08 @ 3:27 pm
Hi Luther - send me an email through the “Contact Us” link and I can get you a password for the lyrics and whatnot. I’m sure you can make a decent fist of the guitar parts - the fun is in the trying!
09.23.08 @ 4:13 am
Wow! Your Youtube vids are great! You guys sound amazing. I hope you”ll be on the Mississippi Sheiks Tribute CD.
09.23.08 @ 6:52 am
Thanks for the kind compliments about the youtube videos - fun for us and hopefully for whoever happens to see them. Nobody’d be more surprised about us showing up on that MS Sheiks tribute album than we would, that’s for sure! Good luck with it!
12.01.08 @ 12:04 pm
Hi. I would very much like to look at the lyrics for Mississippi Sheiks. So could you please send me the password.
Hope this is the right way to ask for it. I tried the “contact us”, but nothing happend. Thank you.
01.29.09 @ 7:38 am
Hello,
I’m interested in lyrics to one or two of the “Sheiks songs,” just to play at our fortnightly blues singalong in the local pub.
I’d be grateful for the password.
Steve
02.01.09 @ 7:56 pm
Hey there,
Finally figured things out.
I’m looking for lyrics to Mississippi Sheiks
Jake Leg Blues, and if it’s possible, an audio of it
Your site’s a great resource. Congrats.
Dan
03.04.09 @ 3:37 pm
I am a professor at UT Austin teaching a course about Songs as Social Criticism. It would be very useful for the few Sheiks songs I use to have a look at your lyrics. I Promise I will not abuse or spread the password.
Tom Palaima
06.20.09 @ 12:12 am
What a find for a Mississippi Sheiks lover. Am trying to learn to play these songs. Would very much appreciate the password.
Thanks
-Stuart
07.04.09 @ 8:52 am
What a treasure! Big thanks to Frankie…
Wondering if anyone has guitar tabs/chords for Sheiks songs. I’ve been wanting to learn guitar for my whole life and the Sheiks have become my incentive.
Stuart
07.05.09 @ 9:12 pm
Stuart - the chords are accessible enough, really. Check out this link - it should give some ideas:
A word about guitar backup, Mississippi Sheiks style
Many of these ideas are transferable to other Mississippi Sheiks songs.
07.21.09 @ 8:44 pm
Hi Frankie -Great site - have got around to the Sheiks after several years of getting into country blues . The tuning and playing tips are great.Would love to be able to access the lyrics pages - is it possible to get a password?
Regards
Ross
07.23.09 @ 1:59 pm
-Seems like some of the “mega” lyrics sites have MS Sheiks lyrics now. Just try searching on google. Of course I was only looking at “Sitting On Top Of The World” but a bunch of songs were listed. Ringtones are availible as well (Just kidding). -nick
07.23.09 @ 5:41 pm
They can keep whatever they’ve got, but maybe I’ll get me one of them ringtones. Think they’ve got “She’s Gone To Her Lonesome Grave?”
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